A selection of finished burl and live edge pieces
The slide show below shows two commissioned pieces I compleded in November/December, 2017.
The first one has 4 branches coming into it. This piece meant a great deal to the owner when he and his wife were married. Now that the tree was taken down they kept this unique part of the tree and had me turn it into a finished form. Initially, it seemed relatively straight forward other than the large size (22"). The main feature I wanted to keep was the 4 branches. As I started turning and shaping it I discovered there were many voids and cracks inside. I had to add multiple applications of epoxy to in order to keep the piece together during the turning process. Because of the voids and cracks, it ended up a bit thicker than I might normally do, but nevertheless the finished piece looks quite nice and very organic with the live edges. My customer was very happy with this finished piece.
The second one is a very large (25" diameter) and very heavy burl that a client brought to me to see what I could do with it. This was his father's burl that was harvested from his land. Because of the sentimental value of the burl he wanted it turned into some type of interesting piece that would become a family heirloom. Although initially he thought it was an oak burl, after some turning and consulting with a fellow woodturner (and former Ministry of Natural Resources employee) we concluded that it is a pine burl. The wood was like nothing I had turned before, being very oily and dense, full of hardened pine oil or resin. During the creation I attempted to keep some of the natural edge visible. Because of the oils in the wood it was impossible to sand, so a good finish off the tool was needed. Final finishing also took some care to assure the finish would adhere and dry. The finished piece turned out quite well, with a very organic and satin sheen to it that my client was thrilled and very pleased with how it turned out. My clients comments after taking the piece home: "The piece has sat on our kitchen table since it came home and every time I look at it, something new jumps out of it. It's simply amazing. You sure did a great job of bringing out the best in that large burl. My wife is also thrilled with it. We are planning a special place for it in the new house."
The first one has 4 branches coming into it. This piece meant a great deal to the owner when he and his wife were married. Now that the tree was taken down they kept this unique part of the tree and had me turn it into a finished form. Initially, it seemed relatively straight forward other than the large size (22"). The main feature I wanted to keep was the 4 branches. As I started turning and shaping it I discovered there were many voids and cracks inside. I had to add multiple applications of epoxy to in order to keep the piece together during the turning process. Because of the voids and cracks, it ended up a bit thicker than I might normally do, but nevertheless the finished piece looks quite nice and very organic with the live edges. My customer was very happy with this finished piece.
The second one is a very large (25" diameter) and very heavy burl that a client brought to me to see what I could do with it. This was his father's burl that was harvested from his land. Because of the sentimental value of the burl he wanted it turned into some type of interesting piece that would become a family heirloom. Although initially he thought it was an oak burl, after some turning and consulting with a fellow woodturner (and former Ministry of Natural Resources employee) we concluded that it is a pine burl. The wood was like nothing I had turned before, being very oily and dense, full of hardened pine oil or resin. During the creation I attempted to keep some of the natural edge visible. Because of the oils in the wood it was impossible to sand, so a good finish off the tool was needed. Final finishing also took some care to assure the finish would adhere and dry. The finished piece turned out quite well, with a very organic and satin sheen to it that my client was thrilled and very pleased with how it turned out. My clients comments after taking the piece home: "The piece has sat on our kitchen table since it came home and every time I look at it, something new jumps out of it. It's simply amazing. You sure did a great job of bringing out the best in that large burl. My wife is also thrilled with it. We are planning a special place for it in the new house."
Protection Series wall piece, elm burl No1165 - 26x21x1.5" thick
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Protection Series wall piece Maple burl No1164 - 32x24x1.5" thick
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SOLD: Protection Series wall piece, maple burl with blue resin No1162 - 23" x 19" x 1.5
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Maple live edge burl No1172 23x13.5x6" high
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Live edge cherry burl No1156 - 17.5" dia x 6.5" deep
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Protection series wall piece, Mappa burl No256 - 28" x 22" x 1.5"
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Protection Series wall piece, Cherry No 255 - 25" x 23" x 1.5"
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SOLD - Protection Series on ebonized stand No 1135 - 15" high x 18" wide
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Boxelder burl No 1114 - 19 x 14 x 6.5" deep
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SOLD - Maple burl No 1113 - 20 x 11 x 6" deep
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Yellow birch burl No 285 - - approx. 24"dia x 10.5" high - See my YouTube video to see how this was made
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Spalted Maple burl No 286 - 13.5"dia x 6.5" deep
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Ironwood burl No 287 - 20" x 16"x 6.5" deep
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Dyed maple burl No 278 - 16x11x5.5" high
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SOLD: Live edge maple burl No 282 - 18" x 12" x 5" high
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Birch Burl Dyed #274 - 19 x 12.5 x 4.5" deep
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Protection Series wall sculpture #254 Maple burl - 27 x 25 x 1.5" thick
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Protection Series wall sculpture #251 Maple burl - 20" x 15" x 1.5" thick
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SOLD Protection Series wall sculpture #253 maple burl - 25 x 17 x 1.5" thick
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SOLD - Protection Series wall sculpture #249 Elm Burl - 27 " x 21" x 1.5" thick
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SOLD: Protection Series Wall Sculpture #248 Maple Burl - 26" x 19" x 1.5" thick
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Protection Series wall sculpture #252 Willow Burl - 18.5" x 15.5" x 1.5" thick
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SOLD: Protection Series Wall sculpture #245 Maple Burl - 23 x 19 x 1.5" thick
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SOLD - Protection Series Wall sculpture #246 Maple Burl - 23 x 19 x 1.5" thick
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SOLD: Protection Series Wall sculpture #247 Cedar Burl - 29 x 21 x 1.5" thick
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Maple burl #243 - 22" x 19" x 6" high
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SOLD: Protection Series Wall sculpture #244 Maple Burl - 17x17x1.5" thick
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Maple burl #242 - 18" x 16" x 8" high
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Maple burl (#241) 16" x 15" x 8" high
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SOLD: Maple burl - dyed 14" x 11" x 6" high
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Maple burl (#240) 15" x 15" x 4" high
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Cherry Burl - 19.5 x 15 x 7" high
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Maple burl - 18 x 14 x 5" high
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Maple burl - 12 x 9.5 x 3.5" high
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Maple Burl - 18" x 14" x 5.5" high
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SOLD Maple Burl - 20" x 16" x 4" high
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Birch Burl - 23" x 19" x 7" high
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Birch burl - 23" x 21" x 5" high
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Maple burl - 13.5 x 9.5 x 3" high
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Two ash burls donated to the Peterborough City and its United Way campaign. These came from one large burl that had to be cut in half because of a large crack. The tree was 150 years old and this year is Canada's 150th anniversary. Sizes are approx. 23" x 13" x 6" high
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Birch Burl 13" dia x 4" high
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Maple burl - 14.5 x 10.5 x 3" high
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SOLD: Maple Burl 14" x 6" x 4" high
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SOLD: Cedar Burl - 19" dia x 11" deep
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Cherry burl 10" dia x 3.5" high
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Sold: Birch Burl - 20" x 16" x 4.5"
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Maple Burl 18" x 16" x 5" high
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SOLD: Maple Burl - 17" x 14" x 4.5" high
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Cherry Burls, 10"d x 5"h (largest piece)
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SOLD: Birch Burl - 16" x 14" x 11" high
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SOLD: Maple Burl - 19" x 17" x 9" high
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SOLD: Maple Burl, 19" dia x 4" deep
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Poplar Burl, 15" dia x 8" deep
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Turning a Burl - Major Steps
Turning burls can be quite a challenge working around voids and changes in wood grain and density. In some cases voids must be filled with epoxy to keep the piece safely together during the turning process. Burls are often treasures that yield beautiful organic pieces with figured grain and many natural edges.
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SOLD: Maple Burl - 25" x 17" x 9" high
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